top of page
ben
pease
Portfolio
All works listed are available for acquisition. Send all artwork inquiries to info@benpeasevisions.com
Old Time Wise Men
36" x 48". Mixed media on canvas. Antique fruit label, ledger paper, inkjet on velvet rag.
Wealth of Many Nations
Spirit of the West
Painted during the 2023 Buffalo Bill Center of the West Rendezvous Quick Draw
Vision of A Leader
“Ishbilaxpáake” Barney Old Coyote Sr. and Mae OldCoyote and their eldest son, Hank/Henry Old Coyote.
Oil and gold leaf on canvas. 36"x48"
Land Back Squared
Bacheéashtáahile
Collaborative work with Sean Chandler and Mountain Time Arts for Yellowstone Revealed 2023, in partnership with the National Park Service and Yellowstone Forever.
Bell Rock
Drawing of Apsáalooke dignitary Bell Rock
Women's Work-Bag Abstract
Legacy
Photo of Kloe Real Bird during the morning parade of Crow Fair 2023
Ways of Walking in the New World
48"x48" Private Collection
Apsáalooke Mirror Bag Abstract
Acrylic on Panel 20”x16”
Trade-Bead Bison
“This is Not An Indian”
Oil on Canvas
40”x30”
40”x30”
“Half-Price, This Weekend Only”
Oil on Canvas
48”x36”
(Medicine Lodges Series)
48”x36”
(Medicine Lodges Series)
“Gifts from Creator, In Washington”
Ink & Colored Pencil on 1897 Montana Ledger paper
11”x11”
11”x11”
Apsáalooke Women's Work Bag
Oil on canvas
60"x48" 2022
60"x48" 2022
ihkaléaxe at Night
White Man Runs Him, known as “Morning Star,” embodies a nuanced chapter in American history, particularly highlighting the role of stereotypes in shaping perceptions of Native American tribes. His alignment with General Custer as a scout during the Plains Indian Wars is a reflection of the Crow people’s historically friendly disposition towards outsiders. However, this openness, in the context of broader Native American relations with the U.S. government and military, has sparked debates about loyalty and identity within and outside Native communities.
The Crow’s willingness to engage with non-Native entities often led to stereotyping, casting them in a singular light that didn’t fully encompass the complexity of their motivations and actions. This oversimplification has contributed to divisive tribalism, overshadowing the nuanced realities of their choices and alliances. Morning Star’s story, therefore, is not just about personal resilience and adaptability; it’s also a commentary on the impact of stereotypes in shaping the history and intertribal relations of Native Americans.
His legacy raises important questions about the interpretation of historical actions and the long-standing consequences of how Native American tribes are perceived and judged based on their responses to colonization and change. Morning Star’s journey thus serves as a focal point for understanding the intricate dynamics of tribal relations, the weight of stereotypes, and the ongoing dialogue about identity and survival within the diversity Native American Nations.
The Crow’s willingness to engage with non-Native entities often led to stereotyping, casting them in a singular light that didn’t fully encompass the complexity of their motivations and actions. This oversimplification has contributed to divisive tribalism, overshadowing the nuanced realities of their choices and alliances. Morning Star’s story, therefore, is not just about personal resilience and adaptability; it’s also a commentary on the impact of stereotypes in shaping the history and intertribal relations of Native Americans.
His legacy raises important questions about the interpretation of historical actions and the long-standing consequences of how Native American tribes are perceived and judged based on their responses to colonization and change. Morning Star’s journey thus serves as a focal point for understanding the intricate dynamics of tribal relations, the weight of stereotypes, and the ongoing dialogue about identity and survival within the diversity Native American Nations.
Cyle Old Elk
40"x30". acrylic mixed media on canvas
Future In Our Eyes
Commissioned by the Field Museum of Chicago. Debuted at the Field Museum in Chicago, travelled to the Museum of the Rockies in Bozeman, MT, and subsequently travelled to the Carnegie Museum of Natural History in Pittsburgh, PA. Recently on display at the Yellowstone Art Museum in Billings, MT.
bottom of page